The Picture of Abjection: Film, Fetish, and the Nature of DifferenceTina Chanter resolves a fundamental problem in film theory by negotiating a middle path between gaze theory approaches to film and spectator studies or cultural theory approaches that emphasize the position of the viewer and thereby take account of race, class, gender, and sexuality. Chanter argues that abjection is the unthought ground of fetishistic theories. If the feminine has been the privileged excluded other of psychoanalytic theory, fueled by